Falstadsenteret

*000      am
*0011630
*008081001                a          0 eng C
*015  $a2006001059$bLC$15
*020  $a978-0-8166-4041-6$bib.
*020  $a0-8166-4041-6$bib.
*020  $a0-8166-4042-4$bh.
*020  $a978-0-8166-4042-3$bh.
*035  
*040  $aDLC
*050  $aML3917.G3
*08202$a780.943$222
*096  $a780.943 Cur
*10020$aCurrid, Brian
*24512$aA national acoustics$bmusic and mass publicity in Weimar and Nazi Germany$cBrian Currid$wnational acoustics
*260  $aMinneapolis$bUniversity of Minnesota Press$cc2006
*300  $aix, 279 s.$bill.$c23 cm
*500  $aIncludes bibliographical references (p. 253-267) and index.
*505  $aGerman sounds, sounding German, and the acoustics of publicity -- Radio, mass publicity, and national fantasy -- The Schlager and the Singer film : organs of experience and the history of subjectivity -- "Musik" and "Musick" : "opus music" and mass culture -- "Songs the gypsy plays for us" : racial fantasy, music, and the state.
*650  $aMusic and state$xHistory$y20th century$zGermany
*650  $aNational socialism and music$zGermany$zWeimar (Thuringia)
*650  $aMass media and public opinion$zGermany
*653 1$amusikk nasjonalsosialisme staten massemedia folkeopinion
*850  $aFalstadsenteret biblioteket
*8564 $galias: URL$uhttp://www.loc.gov/catdir/toc/ecip066/2006001059.html
*8564 $galias: URL$uhttp://www.loc.gov/catdir/enhancements/fy0629/2006001059-d.html
*8564 $galias: URL$uhttp://www.h-net.org/review/hrev-a0f2o1-aa
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